CBS Broadcasts "Jesus" Miniseries


Author: David Buckna
Subject: History
Date: 04/22/2000

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CBS <http://www.cbs.com/> [May 14 & 17]

 

WIC stations: CHEK (Victoria), BCTV (Vancouver), CISA (Lethbridge). CICT

(Calgary), ITV (Edmonton), ONtv (Hamilton), CFCF (Montreal) [May 13 & 17]

 

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>From the first 30-second "Jesus" promo on CBS:

 

HIS BIRTH CHANGED THE WAY TIME IS MEASURED.

"I am with you until the end of the world."

HIS LIFE CHANGED THE DESTINY OF BILLIONS.

"Rise up and walk!"

HIS DEATH CHANGED THE COURSE OF HISTORY.

"That's why I was born."

"To die?"

THIS MAY, CBS PRESENTS THE FIRST GREAT MINISERIES EVENT OF THE NEW MILLENNIUM.

"I have to give everything."

"My God!"

 

GARY OLDMAN. JACQUELINE BISSET. DEBRA MESSING. AND JEREMY SISTO.

JESUS.

 

CBS, Sunday, May 14th.

 

Promo 2:

 

He was praised, cursed, tempted, tortured.

His life was short, but it changed the world forever.

"That's why I was born."

"To die?"

"To prove God's love."

On May 14th, forget everything you've ever seen.

Experience for yourself who He really was.

 

JESUS.

 

CBS, Sunday, May 14th.

 

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Promo 3:

 

CBS MINI-SERIES EVENT

 

"Through Me God will reveal His love for mankind."

"In Him there's something greater than in any man."

 

THEY BELIEVED IN HIM.

 

"Truly you are the Son of God."

 

THEY WORSHIPPED HIM.

 

"Praise Jesus! Praise Jesus! Praise Jesus!"

 

BUT WHEN HE CHOSE LOVE...

OVER HATE.

 

"I'm not here to lead a violent revolution, Judas."

 

THEY CRUCIFIED HIM.

 

"Crucify him."

"I have to give everything to prove God's love."

 

JESUS.

 

Coming to CBS Sunday, May 14th.

 

http://www.cbs.com/mini/jesus/

 

http://www.cbs.com/network/tvshows/mini/jesus/

 

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"Jesus" [Internet Movie Data Base]

http://us.imdb.com/Title?0199232

 

Cast:

 

Jeremy Sisto (Jesus)

 

rest of cast, listed alphabetically:

 

Claudio Amendola (Barabbas)

G.W. Bailey (Livio)

Luca Barbareschi (Herod Antipas)

Jacqueline Bisset (Mary)

Jeroen Krabbé (Satan)

Tom Lockyer (Judas)

Debra Messing (Mary Magdalene)

Armin Mueller-Stahl (Joseph)

David O'Hara (John the Baptist)

Gary Oldman (Pontius Pilate)

Gabriella Pession (Salome)

Elena Sofia Ricci (Herodias)

Stefania Rocca (Mary of Bethania)

Luca Zingaretti (Peter)

 

Teleplay: Suzette Couture

 

Music: Patrick Williams

       

Director: Roger Young

 

Assistant Directors: Sergio Ercolessi, Barbara Pastrovich, Emanuela Minoli,

Jeffrey Vacirca

 

Executive Producers: Judd Parkin and Lorenzo Minoli

 

Production Companies:

 

Five Mile River Films

 

http://www.fivemileriverfilms.com/recent.html

 

Jesus - Progetto Bibbia - Raiuno

Radiotelevisione Italiana (RAI)

http://www.raiuno.rai.it/raiuno/schede/0010/001029.htm

 

Interview with Lorenzo Minoli

http://www.hollywoodjesus.com/jesus_mini_series.htm

 

"We wanted to emphasize the fact that Jesus is still with us." - Lorenzo

Minoli

 

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'Jesus' won't bless TNT

By John Dempsey, July 20, 1998

http://www.variety.com/search/article.asp?articleID=1117478602

 

NEW YORK - CBS is close to a deal to buy the U.S. rights to a new four-hour $17 million miniseries on the life of Jesus after LUX, the producer, ended negotiations with TNT, which had spent the last year developing the film.

 

"We walked away from TNT because it wanted to fill the movie with magic and special effects, featuring a Jesus who flew through the air," Lorenzo Minoli, the executive producer of "Jesus," said from Rome. "We wanted to do a historically correct film, one that all religions would be happy with."

 

Minoli says Julie Weitz, executive VP of original programming for TNT, became fatally enamored of the huge ratings racked up two months ago on NBC by the $30 million four-hour miniseries "Merlin," from Hallmark Entertainment. A TNT executive, who requested anonymity, acknowledged that "we wanted something different from just another miniseries with actors in

togas walking endlessly through the sands."

 

"Without being irreverent, we wanted to bring out the spirituality and the mysticism and do it in an entertaining way," the executive said. For example, one suggestion by TNT was to turn Gabriel, the archangel, into a Merlin-type figure who would weave throughout the entire four hours performing magic and commenting on the action.

 

But one of the producers of "Jesus" said Gabriel appears in only one scene in the script, when the archangel tells Mary that she's pregnant with Jesus. "TNT wanted to turn Gabriel," says this producer," into the emcee from 'Cabaret.' "

 

Network sources say CBS will pony up about $10 million in license fees for the rights to "Jesus." The cast is still to be chosen, but Roger Young will direct, with production to start in Morocco probably in February 1999, for delivery to CBS for the November 1999 sweeps.

 

Drawing on the partnership of LUX, RAI and BetaTaurus, Minoli has produced a number of original biblical movies for TNT in the past, including "Joseph," which won the Emmy in 1995 for outstanding miniseries, "Jacob," "Moses," "Samson & Delilah" and "David."

 

As the Nielsen ratings began to slip on the biblical movies, TNT passed on Minoli's three most recent ones: "Solomon," with Ben Cross and Max von Sydow; "Jeremiah," with Klaus Maria Brandauer and Oliver Reed; and "Esther," currently in production with F. Murray Abraham and Jurgen Prochnow. Minoli says he'll announce a U.S. outlet for these three shortly.

 

Minoli, who declined to comment on the CBS deal, said TNT had expressed interest in "Jesus" as a possible Easter perennial.

 

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Oldman to Pilate big mini coin

By Jenny Hontz, April 27, 1999

http://www.variety.com/search/article.asp?articleID=1117493659

 

Gary Oldman has been cast as Pontius Pilate in the upcoming CBS miniseries "Jesus."

 

Even though his is a supporting role, Oldman is receiving at least $1 million for his part as the Roman governor who ruled Judea and who ignored his own personal misgivings to order the crucifixion of Jesus. The other characters, including Jesus, are close to being cast.

 

Five Mile River Films and Lux Vide S.p.A. who joined forces to produce the CBS movie "Nicholas' Gift," are returning to produce "Jesus," which is likely to air during a sweeps period next season. The mini about the life of Jesus is scheduled to begin shooting in Morocco May 10.

 

Oldman has starred in films such as "Lost in Space," "The Fifth Element," "Air Force One," "Bram Stoker's Dracula," "JFK" and "Rosencrantz and Guildenstern Are Dead."

 

Oldman is repped by the William Morris Agency and managed by Doug Urbanski.

 

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May 8, 1999

 

http://www.herald.com/content/today/entertainment/tv/digdocs/049972.htm

 

CBS will present a four-hour movie called simply Jesus, starring Gary Oldman as Pontius Pilate. The title role has not been cast.

 

CBS is promising a film that emphasizes the humanity of the lead character -- though it will also feature several miracles. Those who have seen the first draft of the script describe it as a portrait of the adult Jesus, who starts out as a carpenter before moving on to bigger things.

 

Jesus may be one of the most expensive productions in recent television history, with a budget estimated at $30 million and locations in Morocco standing in for the Holy Land.

 

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Bisset Stars in New Jesus Movie, May 10, 1999

http://dailynews.yahoo.com/headlines/ap/entertainment/

 

MUNICH, Germany (AP) - Jacqueline Bisset plays Mary and Armin Mueller Stahl is Joseph in a new made-for-TV movie about the life of Jesus.

 

Filming began Monday in Morocco, said the Kirch media group, which is financing the movie with several other European broadcasters. The movie will be shown on several European networks and on CBS in the United States.

 

The title role in "The Bible - Jesus" is being played by an American, 25-year-old Jeremy Sisto.

 

The two-part movie is the latest in a project that began in 1993 to film the entire Bible. Ten episodes based on the Old Testament have been completed with stars including Richard Harris, Ben Kingsley, Dennis Hopper and Klaus Maria Brandauer.

 

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Note from David: Craig Keener writes in The IVP Bible Background Commentary -- New Testament that at betrothal (which commonly lasted one year) "Mary would have probably been between the ages of twelve and fourteen (sixteen at the oldest), Joseph perhaps between eighteen and twenty; their parents likely arranged their marriage, with Mary and Joseph's consent." (p. 47)

 

So even if Mary had been 16 when she was betrothed (and close to 17 when she gave birth to Jesus) by the time Jesus began his public ministry at age 30, Mary would be around 47 years of age. And about 50 during the time of Jesus' crucifixion and resurrection.

 

http://www.jeremysisto.com/

 

http://www.angelfire.com/wi2/Jesus/index.html

 

http://www.geocities.com/SouthBeach/2874/Jeremy.html

 

http://www.angelfire.com/me3/JeremySisto/index.html

 

http://clubs.yahoo.com/clubs/jeremysistoclub

 

Jeremy Sisto interview

http://www.geocities.com/SouthBeach/2874/JSInterview.html

 

[excerpt]

 

Questions: latenight says: Has your family always been supportive of your career decision?

 

Jeremy Sisto: My father, when I was growing up, was a farmer, but before that he was a jazz musician, and is doing that again. He's a prominent jazz musician in Kentucky. My Mom and step-Dad are actors themselves. They've always supported me. My Mom drove me to auditions, to plays - and she was extremely supportive. She's an amazing, wonderful woman, and I'm very lucky to have her in my life. My father is a Zen Buddhist, and he tries to veer away from any drama in his life - drama stirs up the peacefulness he seeks in his life, so he doesn't exactly understand acting, but he's very proud of me.

 

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Stars' choice quotes

By Bill Brioux, Toronto Sun, January 25, 2000

 

"I told my father and he was excited ... then I told my mom and she said, 'Yeah, of course. That's because he thinks that makes him God.' " - Jeremy Sisto, on the reaction of his family when he told them he had the title role in the CBS mini-series Jesus

 

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Castings, May 12, 1999

http://www.variety.com/search/article.asp?articleID=1117500351

 

CASTINGS: "Will & Grace" star Debra Messing has landed the role of Mary Magdalene in the four-hour CBS mini "Jesus," joining Gary Oldman, Armin Mueller-Stahl and Jeroen Krabbe. Directed by Roger Young, the mini shoots in Morocco starting May 17. She's repped by the Gersh Agency and managers Molly Madden and Jeff Golenberg of 3 Arts.

 

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Casting call, May 12, 1999

http://mrshowbiz.go.com/news/Todays_Stories/990512/Castingcall051299.html

 

Well, if Noah gets his own miniseries, it's only fair that the Messiah should too. Gary Oldman started work this week as Pontius Pilate in CBS's Jesus.

 

Christ is played by Jeremy Sisto, who the kids might recognize as icky Elton from 1995's Clueless. You know, he was the yuppie wannabe who slimes all over Cher (Alicia Silverstone) and abandons her in the middle of nowhere? Yep, that's our Son of God ...Jacqueline Bisset makes a glamorous Mary, and Armin Mueller-Stahl plays Joseph, according to The Hollywood Reporter.

 

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Ultimate TV, May 17, 1999

http://www.ultimatetv.com/news/f/a/99/05/17tvschedules_cbs3.html

 

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Screen Notes - Jesus - BC Christian News, July, 1999

http://www.bcchristiannews.org/july99/screen.html

 

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CBS takes 'Jesus' to to the Pope, November 24, 1999

http://mrshowbiz.go.com/news/Todays_Stories/991124/jesusminis112499.html

 

How to settle who has the best Jesus miniseries? Let the Pope decide. Although NBC got its religious-themed TV movie Mary, Mother of Jesus, starring Christian Bale and Pernilla August, on the air first, CBS is hoping to get the Pope's stamp of approval for its yet-to-air mini Jesus.

 

CBS Television CEO Leslie Moonves will have an audience with Pope John Paul II on Thursday to deliver a copy of his network's upcoming miniseries, reports Variety.

 

If His Holiness isn't impressed by Moonves or his lead actors Jeremy Sisto (Jesus) and Jacqueline Bisset (Mary), he might be moved by country singer LeAnn Rimes, who contributed a song to the miniseries. They'll all be traveling to the Vatican for a papal midday reception.

 

The four-hour miniseries, slated for the May sweeps, was filmed in Morocco and Malta this summer.

 

Getting approval from the Pope isn't unheard of in Hollywood: The religious leader gave a thumbs up to Roberto Benigni's Life Is Beautiful.

 

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Salon People

by Amy Reiter, November 29, 1999

http://www.salon.com/people/col/reit/1999/11/29/np1128/

 

And speaking of baubles ... there's a little extra ring kissing going on in Hollywood circles these days. Variety reports that CBS Television CEO Leslie Moonves, actors Jeremy Sisto and Jacqueline Bisset and singer LeAnn Rimes have scored an audience with the pope to deliver a copy of "Jesus," the upcoming miniseries. Watch for white smoke if Il Papa likes the flick, black if he thinks it stinks.

 

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http://www.jeremysisto.com/Updates.htm

 

On December 1, 1999 Jeremy returned from Italy where he was honored at the premier of "JESUS" which took place in Rome's lovely Auditorio S. Cecilia, filled beyond capacity with more than 2100 people. Jeremy sat with Jacqueline Bisset, who played mother Mary. The gala affair was attended by critics and dignitaries alike, including President Ciampi and Prime

Minister D'Alema. The paparazzi took full advantage as the stars filed out of the theatre. While in Rome Jeremy did  numerous press conferences, TV interviews, guest appearances, and had the great honor of meeting Pope John Paul II. "JESUS" was broadcast on Sunday, December 5 and Monday, December 6 by RAI (Italian State TV) and made record audience shares. On the second night the share was 43%! It was a huge success and everyone was thrilled.

 

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http://www.newstimes.com/archive99/dec3099/tvb.htm

 

The "Jesus" miniseries...became Italy's highest-rated program of the year, attracting a total of 22 million viewers on Dec. 5 and 6.

 

CBS Makes History, January 12, 2000

http://www.ultimatetv.com/news/Features.html?6025

 

 

Six new CBS series and specials, previewed Wednesday at the annual Winter Television Critics Association press tour, either portray historical events or revive television history.

 

"Jesus" -- the much-talked about biblical mini-series that prompted a meeting with the pope -- dates back the farthest and has the biggest sandals to fill, as one reporter joked. When title star Jeremy Sisto told his mother how pleased his

father was that he was playing the Lord, his mom replied, "Of course, because that makes him God."

 

The miniseries, which co-stars Debra Messing (pictured) and Jaqueline Bisset and airs in May, received the pope's blessing, but it also sparked a few inherent controversies, such as the on-screen Jesus' archetypal but historically unlikely Aryan looks. Research also shows that logistically, only Pontius Pilate could have condemned Jesus to death, said producer  Lorenzo Minoli. But, he added, "We are not re-inventing the gospel. We're just trying to give a historical perspective."

 

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Jesus, sexy? CBS is pleasing at least some of the people by Hal Boedeker, January 22, 2000

http://www.bergen.com/yourtime/jesus200001222.htm

 

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Hollywood Theologizing Feeds Americans' Fascination with Life of Jesus,

Says Hamilton College Expert, March 21, 2000

http://biz.yahoo.com/prnews/000321/easter_ham_1.html

 

CLINTON, N.Y., March 21 /PRNewswire/ -- As recent popular magazine covers proclaim, Americans remain fascinated by Jesus. Major motion pictures present a variety of images of Jesus to a hungry movie-going population while the TV networks vie for at-home viewers with their own versions of the Jesus story. "A huge amount of theologizing is coming out of Hollywood and it's very influential," says Steve Humphries-Brooks, a religious studies professor at Hamilton College.

 

"Unfortunately, these portrayals are not always accurate," he says. Humphries-Brooks wonders how far movies about Jesus' life will go to draw viewers. He's anxious to see the upcoming CBS mini-series, Jesus, that is to be broadcast in May.

 

Hollywood images of Jesus' life are at times pious, as in Franco Zeffirelli's Jesus of Nazareth, the first made-for-tv miniseries (1977). At other times they are seen as challenges to the proper image of Jesus and may be labeled as blasphemous, such as Scorsese's The Last Temptation of Christ (1989). But all have one thing in common -- Hollywood films about Jesus' life that are shown during Easter, Passover and other religious holidays are largely fictional and take great liberties with the Bible, says Humphries-Brooks.

 

He finds the choice of actors chosen to portray Jesus and the people of the times intriguing. "Zeffirelli's movie was the most interesting but it was beset by the same 'surfer Jesus.' There in the middle of the Mediterranean is Jesus as a blue-eyed blonde."

 

Humphries-Brooks wonders if the films about Jesus are an attempt to be true to the look and people of Palestine in the first century, or simply a way to feature well-known caucasian actors because Americans identify with superstars. "We envy them and want to live like them. So they're very appealing and influential. In looking at Jesus movies, what are viewers

going to look at -- how closely the movie follows the Gospel, or who's starring in it?"

 

As a result he says that many people incorrectly base their knowledge of Jesus' life on those films, not on the Bible. These misconceptions among students led him to create the course, The Celluloid Savior.

 

"Films show the extent to which the story of Jesus has been freed from specific church dogmatic control," says Humphries-Brooks, who is writing a book on his observations. "In fact, Jesus has become highly secularized."

 

While Jesus of Nazareth is the most historically accurate, other films add a bit of fiction to the life of Jesus. The idea that Mary Magdalene was a prostitute, for example, doesn't exist in the Gospels, but it's a common theme in film versions.

 

The same is true of Judas, a relatively minor character in the gospels, but a major character in Cecil B. DeMille's King of Kings and in Jesus Christ Superstar. Judas' important role in movies is somewhat surprising Humphries-Brooks says. The Gospel of Matthew says Judas betrays Jesus for money and eventually hangs himself, but many films stress that finances were

not his only motivation.

 

Many of the films studied in Humphries-Brooks' class are consistent in accurately treating some portions of the Gospel story, including the Passion of Christ, events leading up to the crucifixion, scenes of Jesus with children and the appearance of a tempting Satan.

 

Humphries-Brooks says that students who take his Celluloid Savior course come away with a different view of Jesus' life.

 

"Most become more conscious of the modern cultural rootedness of their perceptions. They come to realize that Jesus is very different from us, not the 'regular person' that many films depict him as."

 

SOURCE: Hamilton College

---

 

407F The Celluloid Savior. A seminar in biblical studies on the representation of Jesus in motion pictures. Prerequisite, two courses in Religious Studies or consent of instructor. Maximum enrollment, 12. Humphries-Brooks.

http://www.hamilton.edu/academics/catalogue/courses/Religious.html

 

Note from David...Steve Humphries-Brooks comments: "Zeffirelli's movie was the most interesting but it was beset by the same 'surfer Jesus.' There in the middle of the Mediterranean is Jesus as a blue-eyed blonde."

 

I've since learned Humphries-Brooks' comment referred to the depiction of Jesus as a youth, where he was shown as a blue-eyed blonde amongst a cast of darker actors. British actor Robert Powell, who portrayed Jesus as an adult, had blue eyes and brown hair:

 

Click on photo:

http://images.amazon.com/images/P/6302643627.01.LZZZZZZZ.gif

 

Related articles by Peter T. Chattaway:

 

The gospel according to film

The Vancouver Sun, June 13, 1998

http://peter.chattaway.net/articles/tatum.htm

 

Jesus at the movies

Books & Culture Magazine, March/April 2000

http://www.christianityonline.com/bc/2000/002/2.10.html

 

The genre of Jesus films is as old as the artform

BC Christian News, April 2000

http://www.bcchristiannews.org/april00/genre.html

 

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Jesus Christ, TV Star?

by Dave Urbanski, CCM, April 2000

http://www.ccmcom.com/ccmmag/00apr/cover_story.html

 

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Jeroen Krabbé (Satan in the "Jesus" miniseries) "is set to direct his second film The Discovery of Heaven based on the acclaimed novel. Set to film in the spring on 2000, this seems like a major release, complete with an international cast and a 15 million dollar budget, the biggest budget to be used for a film in Holland. A 2001 release date has been  mentioned."

http://www.angelfire.com/wa/jeroenkrabbe/hiscareer.html

 

The Discovery of Heaven: A Novel (1997)

by Harry Mulisch, Paul Vincent (translator)

http://www.amazon.com/exec/obidos/ASIN/0140239375/

 

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MUSIC:

 

Angel Records to Release Patrick Williams Original Score Album for JESUS Mini-Series, March 5, 2000

by Ford A. Thaxton

http://x22.deja.com/=dnc/[ST_rn=ps]/getdoc.xp?AN=593253843&CONTEXT=955866671.800653327&hitnum=0

 

Jesus: Epic Mini-Series Original Score

by Patrick Williams

http://www.amazon.com/exec/obidos/ASIN/6305817456/

 

Patrick Williams

http://www.patrickwilliams.net/

 

Jesus: Music From & Inspired By The Epic Mini Series-Soundtrack

Various Artists

http://www.amazon.com/exec/obidos/ASIN/B00004S57L/

 

Review by Jerry McCulley

 

Jesus has been many things to many people: Son of God, carpenter, Rock of Ages, and social radical. But now inspiration for "Epic Mini Series" and adult-contemporary-oriented soundtrack album? Irony be damned: in the golden age of marketing, it only makes sense to wrap the gospel in slick, radio friendly pop. Skeptics may balk at its blatant misappropriation of 1970s chestnuts like one-hit-wonder Norman Greenbaum's "Spirit in the Sky" (its Zen overtones rewritten for dogmatic correctness by DC Talk) and Earth Wind & Fire's "Shining Star" (strangely recast here as minor-key hip-hop dirge by Yolanda Adams), but strong efforts by LeAnn Rimes and Steven Curtis Chapman will please the faithful. Compared with Patrick Williams's brooding score (available in its entirety as a separate release), the efforts of 98 Degrees and Hootie & the

Blowfish almost seem to walk on water--which is a nice way to say they're lighter than air. The major sin the Jesus soundtrack seems guilty of is preaching to the converted; the music and message are full of reassurance and hope, but they're often as personally challenging as an Up with People road show.-- Jerry McCulley

 

http://biz.yahoo.com/bw/000317/ca_capitol_1.html

 

The complete track listing for Music From (And Inspired By) "JESUS," is as follows:

 

1.  Jesus - Theme from the Original Soundtrack (Patrick Williams)

2.  I Need You (LeAnn Rimes)

3.  Jesus, He Loves Me (Edwin McCain)

4.  Nobody Ever (Only You) (Steven Curtis Chapman)

5.  Spirit In The Sky (dc Talk)

6.  The Love That You've Been Looking For (98 Degrees)

7.  Shining Star (Yolanda Adams)

8.  Love Can Change Your Mind (LoneStar)

9.  Fly To You (Avalon)

10. When You Walked Into My Life (Jaci Velasquez)

11. City By A River (Hootie & The Blowfish)

12. Pie Jesu (Sarah Brightman)

 

LeAnn Rimes Sets Record at Mainstream Adult Contemporary Radio With "I Need

You"

http://biz.yahoo.com/bw/000323/ca_capitol_1.html

 

I Need You (LeAnn Rimes)

http://www.sparrowrecords.com:7070/ramgen/slg/191b.rm

 

Review: Music from the Jesus Miniseries

by David Schrader

http://www.musicforce.com/mf/content/1,1293,464,00.html

 

Jesus soundtrack gets mixed review

by Peter Chattaway, BC Christian News, April 2000

http://www.bcchristiannews.org/weekly/april00/8/news.html

 

Hootie & the Blowfish Get a Little Help From Their Friends...

http://biz.yahoo.com/bw/000410/ny_capitol_1.html

 

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JESUS ON THE WEB:

 

Jesus Christ: His Life, Death and Resurrection

 

Answers to frequently asked questions

http://www.christiananswers.net/jesus/home.html

 

"How a 20th Century eye operation shows the Bethsaida miracle actually happened" by Keith Mano. Reprinted from National Review.

http://albertareport.com/24arcopy/24a26cpy/2426ar10.htm

 

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Larry King Live

 

Peter Jennings, Author of `The Century for Young People,' Reflects on His

Career as a Journalist

 

Aired December 14, 1999 - 9:00 p.m. ET

 

http://cnn.com/TRANSCRIPTS/9912/14/lkl.00.html

 

[excerpt]

 

JENNINGS: But I was fascinated to note, to find out what I could learn as a journalist, as a journalist, as a reporter, about the real historic life of Jesus. And so with a wonderful producer with whom I did a film on Jerusalem, Jean Marie Condon (ph), we went looking to find out what was available to know. We looked first of all, of course, at the New Testament, the Gospels.

Then we went to look at the archaeology and listen to the historians on the side. And we put together a two-hour prime-time special which I think is very exciting.

 

KING: All done?

 

JENNINGS: I grant you, a little controversial. Yes, it's virtually finished, which ABC is going to put on sometime early in the year 2000.

 

KING: And you are calling it?

 

JENNINGS: It's current working title is "Peter Jennings in Search of Jesus," which may be a little immodest.

 

KING: And it will be controversial?

 

JENNINGS: Yes, I think it will probably be a bit controversial.

 

KING: You have had your share of that.

 

JENNINGS: I have, yes.

 

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Jesus faces mock trial at Harvard

By Richard Higgins, Boston Globe, April 26, 2000

http://www.boston.com/dailyglobe2/117/metro/Jesus_faces_mock_trial_at_Harvard+.shtml

 

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RECOMMENDED BOOKS:

 

1. The Bible

 

2. New Evidence That Demands A Verdict (Zondervan, 1999) by Josh McDowell

http://www.josh.org/

 

3. Jesus: The Great Debate [book & video] (Frontier Research Publications, 1999)

by Grant R. Jeffrey

http://www.grantjeffrey.com/article/debate.htm

 

4. The Case for Christ: A Journalist's Personal Investigation of the Evidence for Jesus (Zondervan, 1998) by Lee Strobel [book & video]

http://www.crossroads.ca/transcripts/leestrobel.htm

 

"An airtight case for the Christ of the Bible" (BC Christian News, May 1999)

http://www.bcchristiannews.org/may99/airtight.html

 

5. In the Fullness of Time: A Historian Looks at Christmas, Easter, and the Early Church (Kregel Publications, 1998) by Paul L. Maier

 

Dr. Paul L. Maier, Professor of Ancient History at Western Michigan University, is considered the world's leading leading historian on the first century. Maier rigorously documents archaeological evidence not only for the historicity of Jesus, but of Pontius Pilate, Caiaphas, biblical sites, etc. http://www.tobiascomm.com/

 

On December 16, 1999 Maier was interviewed on the Canadian television program "100 Huntley Street"

<http://www.crossroads.ca/transcripts/991216.htm> and again April 17 - May

5. Daily program transcripts are available at

<http://www.crossroads.ca/transcripts/transcripts.htm>

 

6. The Complete Book of Bible Answers: Answering the Tough Questions

(Harvest House, 1997) by Ron Rhodes <http://home.earthlink.net/~ronrhodes>

 

7. The Jesus I Never Knew (Zondervan, 1995) by Philip Yancey

http://www.acloserlook.com/9601acl/christianliving_faith/thejesusineverknew.html

 

8. What Jesus Would Say: To Rush Limbaugh, Madonna, Bill Clinton, Michael Jordan, Bart Simpson, and You (Zondervan, 1994) by Lee Strobel

 

9. True Believers Don't Ask Why (Bethany House, 1989) by John Fischer

 

>From "True Believers Don't Ask Why" by John Fischer

<http://www.fischtank.com/> who writes a monthly column for Contemporary

Christian Music magazine <http://www.ccmcom.com/ccmmag>

 

The Ambiguity of Jesus

 

To read the Gospels is to find the Son of Man free with His questions and careful with His answers. He always seemed to send people away scratching their heads--even His disciples. He was not a man with easy answers. He was not a seminar leader. He never gave a three-point message; His sermons didn't fall easily into an outline.

 

Jesus spoke in a way that demanded active listening. He did not go the distance to communicate to His hearers. He went so far but no farther, requiring effort on the part of the listener to meet Him.

 

His favorite phrase when speaking a public message was "He who has an ear, let him hear". Hear. He used it as an activity--something that some people do with their ears, but not necessarily everyone. Apparently a person can have ears and not hear, and in such a case, Jesus is not going to go the extra mile to get that individual's attention. If people find something else to do with their ears, that's their problem.

 

Jesus had a favourite method of speaking to people. He put it in a story--a parable. When His disciples asked Him why he spoke to the people in parables, He replied: "The knowledge of the secrets of the kingdom of heaven has been given to you but not to them. Whoever has will be given more, and he will have an abundance. Whoever does not have, even what he

has will be taken from him. This is why I speak to them in parables".

 

Thanks, Jesus. That about clears it up. You speak in parables and you answer in riddles. "He who has..."  He who has what? Cars, boats, swimming pools, friends, truth? What does He mean? Now we have two questions. "Why did He speak in parables?" and "What does His answer mean?"

 

Jesus will not dance on the table for anyone. His words demand that we get up, come over, and find out what He's saying. Often we will have to ask more questions about His answers to our questions.

 

No wonder Luke wrote that the people "hung on his words." He kept them hanging. They either came back for more or they walked away because they didn't want to work that hard.

 

To each of His disciples Jesus simply said, "Follow me." That was an invitation, not a requirement. An invitation respects the freedom of the invitee to accept or decline. Indeed, the "no" answer is perhaps the greatest expression of human dignity possible. That men and women can go to heaven is an expression of God's love; that they can go to hell is an

expression of the value He places on their freedom.

 

Even the miracles of Jesus involved human participation. This was not just a Messianic Magic Show; this was God interacting in human experience--giving and taking, relating with us as Son of Man.

 

God does not pull all the strings. He counts us as too important for that. To find without seeking, to hear without listening, to say yes without the possibility of saying no is to negate the value of my seeking, my hearing, and my participating. I am not a puppet.

 

Nor does He put all the pieces together. He leaves holes; He raises questions. He wants me to ask.

 

>From "True Believers Don't Ask Why" by John Fischer

<http://www.fischtank.com/> who writes a monthly column for Contemporary

Christian Music magazine <http://www.ccmcom.com/ccmmag>

 

*

 

The star of "Frequency", Jim Caviezel, was asked in a recent Mr. Showbiz interview:

 

http://www.mrshowbiz.go.com/interviews/543_1.html

http://www.mrshowbiz.go.com/interviews/543_2.html

 

"If you could have a ham radio discussion with anyone in the past, famous or not, who would it be?:

 

Caviezel:"It would be Jesus, in a heartbeat."

 

Caviezel should try to obtain a copy of:

 

10. Jesus: An Interview Across Time (Bantam Books, 1986) by Andrew G. Hodges, M.D.

 

In the book, Hodges, a psychiatrist in private practice and an Assistant Clinical Professor of Psychiatry at the University of Alabama, conducts an imaginary interview with the most influential person in history. From this "first-hand" account emerges a truly human portrait of Jesus -- both as man and God.

 

>From pp. 406 - 409:

 

"Now with our present understanding of the human mind what once seemed beyond belief is fully possible. Could not the divine Christ have chosen to truly become one of us in such a unique way that maintains the integrity of both natures [human and divine] as well as the unity of one person. Would not the existence of two distinct but united natures, similar to the way our own conscious and unconscious minds interface, meet fully the stringent criterion of Chalcedon--two natures united without mixture or division, confusion or separation. The theologian J. O. Buswell thought so, interestingly choosing the exact analogy of the conscious and unconscious mind as a picture of the Incarnation...."

 

"Now we can understand how Christ could have been tempted in all things as a man and at the same time was actively Lord of the universe."

 

"The implications for Christians viewing the Incarnation in this way are significant. While some may initially feel that Christ's veiling his omniscience detracts from him, further reflection reveals that this position would actually make things more difficult for him: for example, not to know consciously which event or temptation was coming next."

 

"Ultimately, this makes his life and great accomplishment, the Atonement, much more dramatic and far greater. He then would in truth "wear our shoes." Thus the crucifixion becomes not just an event endured by a superman, but unquestionably the greatest deed in human history. Furthermore, if Jesus limited his access to his own omniscience and had to learn about himself (as Luke in his gospel makes plain) and his Father just as we do, this exalts the Scriptures even further. Our Lord studied them, too. If indeed, Jesus Christ himself submitted to the necessity of studying the Scriptures and to their authority, how much more should we?"

 

"As I have pondered the subject of Christ's humanity and deity, I am reminded of a friend who once said, with great feeling, that the crucifixion would have meaning to him only if he knew that Christ thought of him when he hung on the cross. Before I understand what I now know about the human mind, I would wonder how it could be possible for a man to think

of every individual in the world in one afternoon, particularly a man who was engulfed with unspeakable pain. And yet I realized that my friend was saying something profound, seeking in reverent anguish personal recognition from a personal God at the moment of crucifixion."

 

"Now, some years later, I understand. I believe that Christ the man in his conscious mind was engulfed by pain and suffering, almost overcome by it, and yet united with his human unconscious mind, Christ the all-knowing God thought of every single person for whom he was making this sacrifice. As he screamed in pain from the cross, He thought of you and He thought of me, and I am convinced that He will tell us that one day face to face." -- Andrew G. Hodges

 

*

 

ADDITIONAL NEWS & REVIEWS:

 

http://www.nytimes.com/library/magazine/home/20000423mag-shoptalk.html

 

THE WAY WE LIVE NOW: April 23, 2000

 

SHOPTALK

What Would Jesus Do in This Scene?

 

Participants: Jeremy Sisto (left) and Glenn Carter

Subject: Actors Who Play God

Moderated by MELANIE REHAK

 

The revival of "Jesus Christ Superstar" opened on Broadway on April 16, starring Glenn Carter in the title role. And on May 14, CBS will broadcast the first installment of "Jesus," a two-part mini-series that stars Jeremy Sisto. By any standards, the son of God is a daunting role to step into. Does playing Jesus pose any special dramatic challenges? And does it present any special hazards for the typically impressionable egos of actors? Here,Carter and Sisto discuss what it's like when your agent calls you and tells you you're the Savior of all mankind.

 

CARTER: I don't think my religious background had any bearing for me playing the part. Jesus was a Jew, and I'm not Jewish, so I tend to play a man in extraordinary circumstances as opposed to a religious icon.

 

SISTO: That's definitely how I played him -- very much like a normal man, someone you can relate to, someone with fears and doubts. I also don't think my religious background had any bearing on me getting the part. I had five days to prepare, so I really didn't have any time to really feel the weight of what I was doing, which was probably a blessing. For me it was just like any role, except that he goes through some extraordinary things. And he has to do all those Jesus things. We had a priest around the whole time, and he was a sweet man, but it was sort of like playing this guy's best friend who had died. He had such a specific notion of who Jesus was. I realized early on I was never going to satisfy everyone.

 

CARTER: I don't think you can. I don't feel any particular weight of responsibility in playing the part of Jesus, because nobody knows what he was like. And there's no way I could play the real Jesus -- to start with I'm using European language, not Aramaic. And he was unlikely to be Caucasian with long curly hair like I've got. There is no way of conforming to other people's ideas of him. Therefore I think it's best not to try.

 

SISTO: I did read the Bible a lot more than I ever had before. And I thought about the possibility that some higher power is sending people like Jesus to send some message. But I tried not to decide anything in case I was wrong.

 

CARTER: I don't think it's necessary to believe in God to play Jesus, just like it's not necessary to think that murder's a good thing to play a murderer. You just inhabit somebody else's thought process and the situations they're put in. I do have faith, but my own faith is very separate from playing Jesus.

 

SISTO: I think I was picked to play Jesus because I'm handsome.

 

CARTER: Yeah. And I have long hair.

 

SISTO: But really, my friends said, "You've been working on this part your whole life." I think it's because at times I take responsibility for a lot of people and Jesus did as well. Like, the whole world. I've always been very sort of earthy, connected to that side of life.

 

CARTER: I've no idea why I was cast. I've been cast as Jesus five times. It's not more of an ego trip than any other part I've done.

 

SISTO: Whenever anyone sneezes I'm sure to bless them -- no, I think it's just novel more than anything else. And I wonder privately to myself whether there's some preordained path I'm on that led me to get the part. It's possible. But I don't think it buffers my ego.

 

CARTER: I find it very difficult to escape. I walk down to the shops for a cup of tea or whatever and people go, "Oh, it's Jesus!" because my image is all over the place and on TV. People start pointing at you and you wonder if your fly is open.

 

SISTO: I get a lot of Jesus jokes, to the point of irritation. Like "Hey, would you make my water into wine? I want to get drunk." And so you chuckle, a little harder than you want to. It gets really old after a while. My dad loves that I'm playing Jesus. My mom thinks it's because he thinks it makes him God. But I don't have any kind of God complex.

 

CARTER: I think I'd be committed if that were the case. Quite rightly so. I knew the story of Jesus from Sunday school when I was a kid, but I think so much was edited out of the Bible. I can't imagine that Jesus was crucified for telling people to love thy neighbor. There was more to it than that.

 

SISTO: I don't think it's an act of hubris to play Jesus, because we're just trying to make the story more accessible to people, to take away his inherent divinity and make him a real guy who has doubts about his mission, his journey and even his belief. He knew he had this mission to fulfill, but it was scary.

 

CARTER: I think that's true. But I'm just kind of waiting for some guy with a machete to come out and start hacking me to death because I'm not doing a portrayal of Jesus as he sees it. There are strange people in New York.

 

*

 

Culture

 

Our Lord of the miniseries, Our Sunday Visitor <http://www.osv.com/>

April 23, 2000, p. 22

 

by Roy Maynard [webbed with permission of the author]

 

Jesus laughed.

 

He wept, too, of course - at the grave of his friend Lazarus, and in the Garden before His arrest. But the doctrine that Jesus was fully man as well as fully God means that He very likely enjoyed a good joke, had playful moods, and found joy in His Father's creation.

 

And it's this side of the Savior that the CBS miniseries Jesus, set to air May 14 and 17, so successfully portrays. It's leagues above last year's laughable Noah's Ark (which aired on NBC), and it's a truer tale that network's Mary, Mother of Jesus, broadcast last November. Where those two movies fiddled with history and discarded doctrine, Jesus is refreshingly

accurate and orthodox.

 

"Jesus is a man that has a mission and is the Son of God," says executive producer Lorenzo Minoli. "We respect the Scriptures, and we are not reinventing the Gospel."

 

The striking Jeremy Sisto plays Jesus - and not as a gaunt, suffering martyr. Instead, he tries to "capture a certain youthfulness, a certain joy that Christ might have had in life," Sisto says. "He really enjoys life. So when He decides to give it up and die on the cross, it's an extremely burdensome decision."

 

And so we see Jesus laughing with friends, splashing His disciples in playfulness. We also see Jesus grieving over the death of Joseph. It must be an intimidating task to fill in the blanks in the life of the Messiah. And here, the writers of the miniseries earn some mixed scores.

 

There's an interesting scene, in which Jesus and Mary and Joseph discuss the suffering of the Jews - and Joseph starts to apply a little pressure on Jesus, to do something about it. It's plausible; Joseph, and especially Mary knew something of Jesus' divine nature, of not the particulars of His divine duty.

 

Another entirely plausible scene involves Mary, sister of Lazarus and of Martha. The writers have her falling in love with Jesus; He has to tell her that marriage would be impossible. "I am not who you think I am," He says to her.

 

That's coloring outside the lines, but not very far.

 

A greater liberty is taken in a scene at Joseph's tomb. Jesus is torn with grief, and he asks God to raise Joseph from the dead. "Give him back to me," Jesus cries. "Raise him! Raise him up in my arms!" If the writers had left it at that - at Jesus asking something of God the Father, and getting no response - then a grave error would have been committed. But they didn't; just as He would later, in the Garden of Gesthemene, Jesus says to the Father, "Your will be done."

 

It's a coolly contemporary production. Jesus's scenes with Satan (played by Jeroen Krabbe) look like they were shot for an MTV video. A sultr